Public Books recently ran an article called “Our Drugs, Ourselves” by Susan Zieger, that touches on several of the issues that John, Elizabeth, and Gina discussed in our second episode about addiction. Zieger analyzes “the slimy lie at the bottom of ‘drugs’…the false belief that my natural experience is more authentic and valuable than your artificial one.” Zieger looks at this premise in High Price: A Neuroscientist’s Journey of Self-Discovery That Challenges Everything You Know About Drugs and Society, How to Change Your Mind: What the New Science of Psychedelics Teaches Us about Consciousness, Dying, Addiction, Depression and Transcendence by Michael Pollan, and My Year of Rest and Relaxation by Ottessa Moshfegh. Zieger argues that community, and the practice of sharing experiences, are what need to undergird the use of drugs in order to prevent them from being demonized or fetishized. While the Pollan’s and Hart’s take up real-world concerns about addiction and experience of the sort that John, Elizabeth and Gina discussed, I am particularly interested in a phenomenon that Zieger traces in Moshfegh’s novel: the use, in recent(ish) fiction, of fictional drug brands alongside real ones. Continue reading “Our Drugs, Our Stories, Ourselves”
In this episode, John and Elizabeth speak with Lisa Gitelman, a professor in the departments of English and Media, Culture and Communications at New York University. They discuss Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” (1935) and Rudyard Kipling’s “Wireless” (1902). Both works examine shifts in media technologies that people had only just gotten used to: what can Benjamin’s essay and Kipling’s uneasy story teach us about contemporary economic shifts to blockchain, or from artistic transmission to social media interactions? We investigate brain metaphors and their aesthetic implications, whether and how Benjamin is optimistic, (and another thing). Then in our segment Recallable Books, Lisa recommends “The Migration of the Aura, or How to Explore the Original Through its Facsimiles” by Bruno Latour and Adam Lowe, Elizabeth recommends “Mobile Phones and Mipoho’s Prophecy,” by Janet McIntosh and John thinks about recommending Henry James’s “In the Cage” but instead recommends “The Machine Stops” by E.M. Forster. Continue reading “3 Old and New Media with Lisa Gitelman”
In this episode, John and Elizabeth speak with Gina Turrigiano, a neuroscientist at Brandeis, about a number of different facets of addiction. What makes an addiction to a morning constitutional different from–or similar to–an addiction to Fentanyl? What are the biological and social factors to consider? Should the addict be thought of in binary terms, or addiction as a state that people move into and out of? They contemplate these questions through biological, anthropological, and literary lenses, drawing on Marc Lewis, Angela Garcia, and Thomas de Quincey. Late in the episode, there’s also a Sprockets joke. Then, in Recallable Books, Gina recommends David Linden’s The Compass of Pleasure, Elizabeth recommends When I Wear My Alligator Boots by Shaylih Muehlmann, and John recommends Sam Quinones’s Dreamland. Continue reading “2 Addiction with Gina Turrigiano”
We hope you have been enjoying the first episode of our new podcast. Here is the slate of upcoming episodes for the first half of our inaugural season:
1/15: Minimalism with sculptor Tory Fair
1/22: Addiction with neuroscientist Gina Turrigiano
1/30: Old and New Media with media historian Lisa Gitelman
2/6: Circe with novelist Madeline Miller
Stay tuned for these episodes and more updates! You can listen to the podcast here on our website or by searching Stitcher or Spotify–Apple Podcasts and Google Play coming soon!
In this episode, John and Elizabeth speak with Tory Fair, sculptor and professor in the Art Department at Brandeis about minimalism. They discuss the difference in involvement expected from the viewer of a minimalist work and other work, and compare modes of minimalism, from Donald Judd to Samuel Beckett to Marie Kondo. Their discussion of the correct amount of guidance to expect or to want from an artist also turns to a lively chat on the experience of going to the museum, and whether that is best approached as directed by the artist or curator, or as a search for an unexpected occurrence. Then in Recallable Art, Tory recommends the Daybook Installation at DIA by Anne Truitt, and John recommends Aesop’s fables. Continue reading “1 Minimalism with Tory Fair”
Recall This Book is a monthly podcast exploring important books on a pressing topic. Each episode focuses on a contemporary problem or event and zeroes in on a book or books that shed light on it. We look backwards to see into the future: we can understand things about the future by choosing texts that shed a sideways light on our present situation, and attempt to shake up the terms of present debate by showing how a topic was approached in earlier times when a different version of this question had come up before. We aim to have lively barstool discussions–a warm but involved and potentially argumentative hashing out of the best way to think through difficult present-day issues. Sometimes we bring on writers to talk about their own books, sometimes we discuss these works with other academics in the field. Most episodes are hosted by Prof. Elizabeth Ferry, of Brandeis University’s Anthropology Department, and John Plotz, of Brandeis’s English Department.
Our first episode will be released on January 15, with the remainder of our episodes making up our first season released in the following weeks–check back here to listen along, or follow us on twitter at @recallthisbook.