92 Janet McIntosh on “Let’s Go Brandon,” QAnon and alt-right language (EF, JP)

John and Elizabeth talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet’s current book project on language in the military has prompted thoughts about the “implausible deniability” of “Let’s Go Brandon”–a phrase that “mocks the idea we have to mince words.”

The three of them unpack the “regimentation” of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of “Q-drops” and academic critique. Turning back to her work on basic training, Janet unpacks the power of “semiotic callousing.”

Continue reading “92 Janet McIntosh on “Let’s Go Brandon,” QAnon and alt-right language (EF, JP)”

56 Recall This B-Side #1: Merve Emre on Natalia Ginzburg’s “The Dry Heart”

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won’t be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon).

Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that buttonholed Merve Emre (Oxford literature professor and author most recently of The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg’s The Dry Heart will have you thinking again.

Continue reading “56 Recall This B-Side #1: Merve Emre on Natalia Ginzburg’s “The Dry Heart””

55 David Ferry, Roger Reeves, and the Underworld

Their tongues are ashes when they’d speak to us.

David Ferry, “Resemblance”

The underworld, that repository of the Shades of the Dead, gets a lot of traffic from time to time, especially from heroes (Gilgamesh, Theseus, Odysseus, Aeneas) and poets (Orpheus, Virgil, Dante). Some come down for information or in hopes of rescuing or just seeing their loved ones, or perhaps for a sense of comfort in their grief. They often find those they have loved, but they rarely can bring them back. Comfort they never find, at least not in any easy way.

In conversation with Elizabeth for this episode of Recall this Book, poets Roger Reeves and David Ferry join the procession through the underworld, each one leading the other. They talk about David’s poem Resemblance, in which he sees his father, whose grave he just visited, eating in the corner of a small New Jersey restaurant and “listening to a conversation/With two or three others—Shades of the Dead come back/From where they went to when they went away?”

Continue reading “55 David Ferry, Roger Reeves, and the Underworld”

51 Recall This Buck 3: Thomas Piketty on Inequality and Ideology (Adaner, JP)

Is Thomas Piketty the world’s most famous economic historian ? A superstar enemy of plutocratic capitalism who wrote a pathbreaking bestseller, Capital in the 21st Century? Or simply a debonair and generous French intellectual happy to talk redistributive justice? Join John and Adaner Usmani (star of RTB’s episode 44: Racism as idea, Racism as Power Relation) to find out.

Why did we invite him? John thinks nobody is better than Piketty at mapping and explaining the nature and origin of the glaring and growing inequality that everywhere defines wealth distribution in the 21st century—both between societies and within them. His recent magnum opus, Capital and Ideology. ask what sorts of stories societies (and individuals within those societies) tell themselves so as to tolerate such inequality—and the poverty and misery it produces. Or even to see that inequality as part of the natural order of things.

Continue reading “51 Recall This Buck 3: Thomas Piketty on Inequality and Ideology (Adaner, JP)”

50 Greg Childs on Seditious Conspiracy; or, Why Words Matter

Continuing our conversation on the events at the Capitol and the end of the Trump era, John and Elizabeth spoke with Brandeis historian Greg Childs. He is an expert in Latin American political movements and public space; his Seditious Spaces: Race, Freedom, and the 1798 Conspiracy in Bahia, Brazil is forthcoming from Cambridge. His historical and hemispheric perspective helped bring out the differences between calling an event “sedition,” “seditious conspiracy” and “insurrection,” the new “Lost Cause” that many of those attacking the Capitol seem to hold on to and the particularities of Whiteness in the United States, as compared to elsewhere in the Americas. Greg even proposes a new word for what happened January 6th: counterinsurgency.

Continue reading “50 Greg Childs on Seditious Conspiracy; or, Why Words Matter”

49 The Capitol Insurrection and Asymmetrical Policing: David Cunningham (EF, JP)

We first heard from the sociologist of American racism David Cunningham in Episode 36 Policing and White Power. Less than a week after the horrors of January 6th, he came back for an extended conversation about “asymmetrical policing” of the political right and left–and of White and Black Americans. His very first book (There’s Something Happening Here, 2004) studied the contrast between the FBI’s work in the 1960’s to wipe out left-wing and Black protests and its efforts to control and tame right-wing and white supremacist movements. That gives him a valuable perspective on the run-up to January 6th–and what may happen next.

Continue reading “49 The Capitol Insurrection and Asymmetrical Policing: David Cunningham (EF, JP)”

48 Transform, Not Transfer: Lisa Dillman on Translation (PW, EF)

The eternal challenge (obsession) of translation: “how not to get lost in translation”.

Lisa Dillman

However, the award-winning translator and literary scholar at Emory University Lisa Dillman suggests that we may be missing the truly challenging and exhilarating part of translation in this endless and “elitist” obsession.

In fact, not “losing” original meaning may not be what translation is about at all.

“I find it more useful a view of translation, not as a transfer of meaning, but a transformation.”

Lisa Dillman
Continue reading “48 Transform, Not Transfer: Lisa Dillman on Translation (PW, EF)”

47 Glimpsing COVID: Gael McGill on Data Visualization (GT, JP)

What’s a picture worth? How about the picture that allows scientists to grasp what’s actually going on in a cell–or on the spiky outside of an invading virus? Gael McGill, Director of Molecular Visualization at the Center for Molecular and Cellular Dynamics at Harvard Medical School is founder and CEO of Digizyme and has spent his career exploring and developing different modes for visualizing evidence.

For this scientific conversation, John is joined once again by Brandeis neuroscientist Gina Turrigiano (think ep 4 Madeline Miller; think ep 2 Addiction!). And because Gael’s work proves that a picture can be worth far more than a thousand words, our RTB post is more picturesque than usual. Start by checking out Digizyme‘s image of the spike protein attaching the SARS-CoV2 virus to a hapless cell and fusing their membranes:

Or maybe you’d rather click through to watch a gorgeous video Gael and his team have created?

Continue reading “47 Glimpsing COVID: Gael McGill on Data Visualization (GT, JP)”

46 Leah Price on Children’s Books: Turning Back the Clock on “Adulting” (EF, JP)

What do children love most about books? Leaving their mark on inviting white spaces? Or that enchanting feeling when a book marks them as its own, taking them off to where the wild things are? To understand childhood reading past and present, Elizabeth and John talk with the illustrious and illuminating book historian Leah Price. They explore the tactile and textual properties of great children’s books and debate adult fondness for juvenile literature. Leah asks if identifying with a literary character is a sign of virtuous imagination, or of craziness and laziness. She also schools John on what makes a good association copy, and reveals her son’s magic words when he wants her to tell a story: Read it!

For many years an English Professor at Harvard, Leah is founder and director of the Rutgers Initiative for the Book, and she tweets at @LeahAtWhatPrice. Her What We Talk About When We Talk About Books recently won Phi Beta Kappa’s Christian Gauss Award.

Sometime around the turn of the millennium, the concern about distinguishing between juvenile and adult books seemed to shift from moral panic about speeding up sexual maturity to worry about turning back the clock on what we now call adulting through the mainstreaming of young adult literature.

Continue reading “46 Leah Price on Children’s Books: Turning Back the Clock on “Adulting” (EF, JP)”

45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence

In the third episode of our Global Policing series, Elizabeth and John speak with anthropologist Laurence Ralph about his 2020 book The Torture Letters: Reckoning with Police Violence. The book relates the decades-long history in which hundreds of people (mostly Black men) were tortured by the Chicago Police. Fascinatingly, it is framed as a series of open letters that explore the layers of silence and complicity that enabled torture and the activist movements that have helped to uncover this history and implement forms of collective redress and repair. Elizabeth and John ask Laurence about that genre choice, and he unpacks his thinking about responsibility, witnessing, trauma and channels of activism. Arendt’s “banality of evil” briefly surfaces.

Continue reading “45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence”

In the third episode of our Global Policing series, Elizabeth and John speak with anthropologist Laurence Ralph about his 2020 book The Torture Letters: Reckoning with Police Violence. The book relates the decades-long history in which hundreds of people (mostly Black men) were tortured by the Chicago Police. Fascinatingly, it is framed as a series of open letters that explore the layers of silence and complicity that enabled torture and the activist movements that have helped to uncover this history and implement forms of collective redress and repair. Elizabeth and John ask Laurence about that genre choice, and he unpacks his thinking about responsibility, witnessing, trauma and channels of activism. Arendt’s “banality of evil” briefly surfaces.

Continue reading “45 Global Policing 3 Laurence Ralph: Reckoning with Police Violence”

44 Adaner Usmani: Racism as idea, Racism as power relation (EF, JP)

racism, mass incarceration, Southern plantation economy,
and W.E.B. Du Bois

Do we understand racism as the primary driving engine of American inequality? Or do we focus instead on the indirect ways that frequently hard-to-discern class inequality and inegalitarian power relations can produce racially differentiated outcomes? Adaner Usmani, Assistant Professor of Sociology and Social Studies at Harvard and on the editorial board at Catalyst joins Elizabeth and John to wrestle with the subtle and complex genealogy of Southern plantation economy and its racist legacy.

Continue reading “44 Adaner Usmani: Racism as idea, Racism as power relation (EF, JP)”

1 Minimalism with Tory Fair

In this episode, John and Elizabeth speak with Tory Fair, sculptor and professor in the Art Department at Brandeis about minimalism. They discuss the difference in involvement expected from the viewer of a minimalist work and other work, and compare modes of minimalism, from Donald Judd to Samuel Beckett to Marie Kondo. Their discussion of the correct amount of guidance to expect or to want from an artist also turns to a lively chat on the experience of going to the museum, and whether that is best approached as directed by the artist or curator, or as a search for an unexpected occurrence. Then in Recallable Art, Tory recommends the Daybook Installation at DIA by Anne Truitt, and John recommends Aesop’s fables. Continue reading “1 Minimalism with Tory Fair”