The Black Lives Matter movement and the policing-related deaths of George Floyd, Breonna Taylor, Ahmaud Arbery and others have struck a nerve worldwide. Our“Global Policing”series aims to capture the protests over systemic racism and policing in their various national forms.
In Turkey, for example, a June 19 article in the English edition of DuvaR. news magazine reported that Footage of the detentions of five individuals detained at pro-Kurdish Peoples’ Democratic Party’s (HDP) press conference in Istanbul reveal shouts from the civilians begging the police to stop pressing on their backs and telling them that their chest hurts…reminiscent of the recent police killing of black Minneapolis resident George Floyd, remembered with his words “I can’t breathe!
Steve brings light to dark corners in this the second installment of Books in Dark Times. He sings the praises of Charles Dickens, of Anthony Trollope (Elizabeth, offstage, chuckles delightedly) and the world-escaping delights of both Waugh’s Brideshead Revisited and the Mapp and Lucia novels of E. F. Benson. He concludes with sweet words for the sour genius of a trio of late 20th century American pessimists: Joan Didion, Dorothy Baker and Iris Owens.
In this episode John and Elizabeth sit down with Brandeis string theorist Albion Lawrence to discuss cooperation versus solitary study across disciplines. They sink their teeth into the question, “Why do scientists seem to do collaboration and teamwork better than other kinds of scholars and academics?”
The conversation ranges from the merits of collective biography to the influence of place and geographic location in scientific collaboration to mountaineering traditions in the sciences. As a Recallable Book, Elizabeth champions The People of Puerto Rico, an experiment in ethnography of a nation (in this case under colonial rule) from 1956, including a chapter by Robert Manners, founding chair of the Brandeis Department of Anthropology. Albion sings the praises of a collective biography of the Art Ensemble of Chicago, A Message to Our Folks. But John stays true to his Victorianist roots by praising the contrasting images of the withered humanist Casaubon and the dashing young scientist Lydgate in George Eliot’s own take on collective biography, Middlemarch.
In May, John and Pu interviewed SF superstar Cixin Liu (you will want to listen to that episode before this one). In August they entered the studio again to work on the final edits for that interview in both its Chinese and English versions. While they were there, they took some time to reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work.
On this episode of Recall This Book, John talks to Stephen McCauley, a novelist and Professor of the Practice of English and Co-director of Creative Writing at Brandeis. Nobody knows more about the comic novel than Steve, and there is no comic novelist he loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties. Steve and John’s friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. Continue reading “5 The Comic Novel with Stephen McCauley”
In this episode, John and Elizabeth speak with Gina Turrigiano, a neuroscientist at Brandeis, about a number of different facets of addiction. What makes an addiction to a morning constitutional different from–or similar to–an addiction to Fentanyl? What are the biological and social factors to consider? Should the addict be thought of in binary terms, or addiction as a state that people move into and out of? They contemplate these questions through biological, anthropological, and literary lenses, drawing on Marc Lewis, Angela Garcia, and Thomas de Quincey. Late in the episode, there’s also a Sprockets joke. Then, in Recallable Books, Gina recommends David Linden’s The Compass of Pleasure, Elizabeth recommends When I Wear My Alligator Boots by Shaylih Muehlmann, and John recommends Sam Quinones’s Dreamland. Continue reading “2 Addiction with Gina Turrigiano”
In this episode, John and Elizabeth speak with Tory Fair, sculptor and professor in the Art Department at Brandeis about minimalism. They discuss the difference in involvement expected from the viewer of a minimalist work and other work, and compare modes of minimalism, from Donald Judd to Samuel Beckett to Marie Kondo. Their discussion of the correct amount of guidance to expect or to want from an artist also turns to a lively chat on the experience of going to the museum, and whether that is best approached as directed by the artist or curator, or as a search for an unexpected occurrence. Then in Recallable Art, Tory recommends the Daybook Installation at DIA by Anne Truitt, and John recommends Aesop’s fables. Continue reading “1 Minimalism with Tory Fair”