Although she “came of age in an era of extreme contextualism” Daston is anything but time-bound. She starts things off in John’s wheelhouse with Henry James, before moving on to Pliny the Younger–no, not the scientist, the administrator! Then she makes a startling flanking maneuver to finish with contemporary Polish poetry. John puffs to keep up…
What is consoling and engaging the author of the best novel about America’s dismal experience in Iraq? American novels, especially those about Americans abroad (Joan Didion. say) have always done something special for him. Marilynne Robinson’s and James Baldwin’s work make us confront the reality that’s happening around us all the time, “a freaking massacre.” He carried the the (fictional but genuine) facts of Baldwin’s If Beale Street Could Talk in his head for forty years.
Who better to talk about Dark Times than the author of an unforgettable scholarly book about the grimness of the interwar years, Tense Future? Paul Saint-Amour, Professor of English at University of Pennsylvania and author of various prizewinning books and brilliant articles, joins John to talk about realism, escapism and the glories of science fiction.
Paul wonders if immersive reading is even possible during this terrible imminence. Can we really gaze at the dental work of the pandemical lion as its jaws open upon us? He goes on to praise “recursive” plots as glimpsed in time-travel narratives, which produce not interactivity with a text, but interpassivity; the immersion into a form that has its ending always waiting for readers from their very beginning. Throughout he manages to be pessimistic but hopeful.
Just about every adult human being back then had a brain weighing about three kilograms! There was no end to the evil schemes that a thought machine that oversized couldn’t imagine and execute. … This was a very innocent planet, except for those great big brains.
There is a volcanic archipelago in the Pacific that Polynesian settlers on their canoes never reached. In 1854, Herman Melville saw “The Encantadas” through a dark lens, darkly:
Take five-and-twenty heaps of cinders dumped here and there in an outside city lot, imagine some of them magnified into mountains, and the vacant lot the sea, and you will have a fit idea of the general aspect of theEncantadas, or Enchanted Isles. A group rather of extinct volcanoes than of isles, looking much as the world at large might after a penal conflagration.It is to be doubted whether any spot on earth can, in desolateness, furnish a parallel to this group.
Darwin, though, saw the Galapagos islands quite differently when he arrived in September of 1835 He may not have wasted much time praising the landscape in the ways he praised the mind-bending sublimity of Patagonian steppes. But in The Voyage of the Beagle includes this teaser about those soon-to-be-famous Galapagos finches:
Seeing this gradation and diversity of structure in one small, intimately related group of birds, one might really fancy that from an original paucity of birds in this archipelago, one species had been taken and modified for different ends.
U. Sydney professor Vanessa Smith–author of Intimate Strangers, and also of this lovely short piece about Marion Milner–joins John to discuss her pandemic reading. She praises a Milner (quasi)travel book, but she also makes the case for M F K Fisher and a book about the glories of hypochondria.
Then the old friends share their newfound love for spiky Australian novelist Helen Garner, doyenne of share-house feminism.
Kim Stanley Robinson, SF novelist of renown, has three marvelous trilogies: The Three Californias, Science in the Capital and, most celebrated of all, Red Mars, Green Mars and Blue Mars. His honors include many Locus, Hugo and Nebulae awards. Small fact connecting him to RTB-land: he completed a literature PhD directed by Frederic Jameson with a dissertation-turned-book on the novels of Phillip K. Dick.
Stan and John start out with Stan’s emerging from the Grand Canyon in late March. Then they discuss Stan’s sense that SF is the realism of the day and his take on “cognitive estrangement.” Finally, they happen upon a shared admiration for the great epic SF poet, Frederick Turner.
Seeta Chaganti, medievalist extraordinaire (Strange Footing and The Medieval Poetics of the Reliquary) joins John to discuss–wait for it–data visualization in the work of W. E. B. Du Bois, philosopher, visionary and scholar. They go on to discuss past traditions that merge text and image in ways that foreshadow modern visualization practices, and close with beloved books that take readers “back of the tapestry” to reveal what everyday front-of-tapestry life keeps decorously hidden.