33 RTB Books in Dark Times 9: Ben Fountain (JP)

Ben Fountain is far more than just the author of Billy Lynn’s Long Halftime Walk, which won RTB hearts and minds (and the National Book Award) long before it became a weird Ang Lee movie.

What is consoling and engaging the author of the best novel about America’s dismal experience in Iraq? American novels, especially those about Americans abroad (Joan Didion. say) have always done something special for him. Marilynne Robinson’s and James Baldwin’s work make us confront the reality that’s happening around us all the time, “a freaking massacre.” He carried the the (fictional but genuine) facts of Baldwin’s If Beale Street Could Talk in his head for forty years.

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29 RTB Books in Dark Times 6: Kim Stanley Robinson (JP)

Kim Stanley Robinson, SF novelist of renown, has three marvelous trilogies: The Three Californias, Science in the Capital and, most celebrated of all, Red Mars, Green Mars and Blue Mars. His honors include many Locus, Hugo and Nebulae awards. Small fact connecting him to RTB-land: he completed a literature PhD directed by Frederic Jameson with a dissertation-turned-book on the  novels of Phillip K. Dick.

Stan and John start out with Stan’s emerging from the Grand Canyon in late March. Then they discuss Stan’s sense that SF is the realism of the day and his take on “cognitive estrangement.” Finally, they happen upon a shared admiration for the great epic SF poet, Frederick Turner.

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20: The Drama of Celebrity with Sharon Marcus (JP)

John sits down with Columbia University professor Sharon Marcus to discuss her latest book, The Drama of Celebrity, a tour-de-force argument about how stars are born, publicized, and in time devoutly scrapbooked by adoring fans.

They tackle a question at least as old as Sarah Bernhardt: who or what makes a star? Rather than crediting star making to the culture industry, to fans, or to star themselves, Sharon makes the case that all three forces together constitute a celebrity creation machine.

After discussing her archival work on theatrical scrapbooking in Indiana, Sharon pulls from the vaults a marvelous Hollywood memoir, Brooke Haywood’s Haywired. That triggers discussion of the studio system and how its models of celebrity are and are not with us today.

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15: In Focus Zadie Smith (JP)

In this episode, John interviews the celebrated British writer Zadie Smith. Zadie’s horror at the idea of rereading her own novels opens the show; she can more easily imagine rewriting one (as John’s beloved Willa Cather once did) than having to go through them all again. From there the conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is. As Zadie puts it, “When you say my people, you can[‘t] know for certain who those people are by looking at them and by hearing what they have to say. I think what fiction as a kind of philosophy always assumed is that what people make manifest is not all that people are. There’s a great part of human selves which are hidden, unknown to the self, obscure, and that’s the part that fiction is interested in.”

Zadie Smith at Brandeis with a slightly freaked out John (credit: Mike Lovett, Brandeis)
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