Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). That novel brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. In this crossover episode, which originally aired on Novel Dialogue, where critics and novelists sit down together in peace, He speaks with John and with science-fiction scholar Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine.
Charlie kicks off with a brief reading. Then the conversation gets quickly into intimate territory: the pockets of safe space and the “small feelings” that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie’s time as a lawyer is scrutinized; so too is “acute impostor syndrome” and the everyday feeling of putting on a costume or a mask, as well as what Du Bois called “double-consciousness.”
Crossover Month at Recall this Book ends with a glance sideways at the doings of our pals Saronik and Kim of the delightfully lapidary podcast High Theory. Refresh your sense of them with Recall this Book 52: they joined John to showcase their distinctive approach, taking as their topic “the pastoral.” Or, just click Play without further ado to hear their thoughts on teletherapy, a concept that proves far more familiar, and omnipresent than we at RtB had realized. Take those omnipresent signs for the Suicide Hotline, for starters….
This week on Recall this Book, another delightful crossover episode from our sister podcast Novel Dialogue, which puts scholars and writers together to discuss the making of novels and what to make of them. (If you want to hear more, RtB 53 featured Nobel Orhan Pamuk, RtB 54 brought in Helen Garner, and in RtB 72 we haveCaryl Phillips). Who better to chat with John and Jennifer Egan–prolific and prize-winning American novelist–than Ivan Kreilkamp? The distinguished Indiana Victorianist showed his Egan expertise last year in his witty book, A Visit from the Goon Squad Reread.
So, you won’t be shocked to know that we actively seek out other ways to amplify those whispers from the stacks. For about four years now, John has been editing a column called B-Side Books at the journal Public Books. If you’re old enough to recall buying those little 45 rpm records (say, “Salad Days” by Minor Threat, in memory yet green) then you know the column is named after the obscure “flip side” that accompanies the song marketed to be a hit.
Crossover Month continues with a scintillating Australian fiction episode from Novel Dialogue, a new podcast hosted by the awesome Aarthi Vadde of Duke, and RTB’s own JP. If you like what you hear, please share the love by recommending it to friends, tagging @noveldialogue in your tweets, and subscribing to it via Apple Podcasts, Spotify or Stitcher.
Crossover Month continues with something completely different, and only a little bit incestuous. Novel Dialogue is a new podcast hosted by the awesome Aarthi Vadde of Duke, and RTB’s own JP. John and Aarthi serve as the third wheel (or if you prefer the social lubricant) for a scholar and a novelist who sit down each week to explore the making of novels, and what to make of them. If you like what you hear, please share the love by recommending it to friends, tagging @noveldialogue in your tweets, and subscribing to it via Apple Podcasts Spotify or Stitcher
Kim Adams and Saronik Bosu share an office at the English department of NYU–and now they also share High Theory a podcast where you can “get high on the substance of theory.” Their lovable podcast always identifies a single manageable topic and asks three magic questions (what is your quest? is not one of them). Today that topic is “the pastoral”; in a role reversal, John asks the three questions of Saronik and Kim.
Topics covered include the joys of sharing an office, and the irony that podcasts mimic the very social face-to-face intimacy that they actually displace. John admits RtB’s informal motto, “After the conference, the bar” is blatantly cribbed from the cry of the Paris ’68ers: sous les pave, la plage (under the pavement, the beach).