In this warm summer episode, Elizabeth and John present a marvelous podcast, The Electro-Library, and they speak with one of its hosts and founders, Jared Green.
Elizabeth, Jared and John play snippets from a recent Electro-Library episode on the decidedly non-podcasty topic of photographs, and use it as a springboard to discuss the different aesthetic experiences of radio, television, film, reading, audiobooks, and podcasts. Which are the easiest and which the hardest artworks to get lost in? Would Frankenstein’s monster be more popular as a podcaster than as a YouTuber? (The answer to that one seems most likely to be yes). Continue reading “12 RTB Presents “The Electro–Library” (with Jared Green)”
What’s the relationship between immigration, globalization and demographics? What do a badly characterized, racist novel and an imaginatively metaphoric biology article from the 1970s have to do with that? And what is woke particularism? John and Elizabeth find out all of that and more in this discussion with Quinn Slobodian, professor of history at Wellesley College and author, most recently, of Globalists: The End of Empire and the Birth of Neoliberalism.
They first discuss Jean Raspail‘s racist 1973 novel The Camp of the Saints, a book whose popularity in certain quarters since its publication might explain how Europe has gone from Thatcher to Brexit, from Vaclav Havel to Viktor Orban. How is this xenophobic screed related to science fiction of the same period–and to John Locke? Pat Buchanan, American early adapter of Raspail’s hate-mongering, figures prominently. Continue reading “11 Xenophobia and Ethno-Nationalism, 1973 to today (Quinn Slobodian)”
Bonus! Available only on our website, Episode 10X includes a brief RTB discussion about Exit Zero, a stunning “auto-ethnography” that raises fascinating questions about what it means when people retell stories or anecdotes about their own lives as a form of evidence that helps explain their overall worldview.
Update: For more on autofiction, check out this essay on Ben Lerner by William Egginton from our partners at Public Books.
How does the past live on within our experience of the present? And how does our decision to speak about or write down our recollections of how things were change our understanding of those memories–how does it change us in the present? Asking those questions brings RTB into the company of memory-obsessed writers like Virginia Woolf and Marcel Proust. But it also takes up into the modern phenomenon of “autofiction,” a term which, if you’ve never heard of before today, you’re in good company! But by discussing autofiction writers like Rachel Cusk, Sheila Heti and Karl Ove Knausgaard, we begin to understand that the line between real-life fact, memory, and fiction is not quite as sharp as we had thought. Continue reading “10 Life, Writing, and Life Writing with Helena DeBres”
Helena DeBres had so many brilliant insights about the ethics and the future of life writing that the final third of our discussion overflowed the bounds of our ordinary format. So we present that final conversation to you here as a bonus episode–well, episodelette.
Elizabeth, John and Helena here discuss Christine J. Walley’s “autoethnography” Exit Zero: Family and Class in Postindustrial Chicago. They talk about the relation of an autoethnography to life writing a la Woolf or Cusk, the capacity of stories to both empower and to constrain, the semiological differences between Marxist philosophers and ministers, and when and how to use scare quotes. Continue reading “10x Bonus! “Exit Zero” and Life Writing”
When Recall This Book started back in January, we modestly thought we might manage one episode per month.Instead, we bolted from the gate fast: eight episodes in our first two-and-a-half months.
That is a sprinter’s pace, when what we have in mind is a marathon. So: a slowdown of sorts…but with the prospect of some great upcoming items. Continue reading “Spring Schedule and our new partnership with Literature Lab”
We frequently worry that we live in a “distracted age.” But perhaps the human condition is always to live “almost always in one place with our minds somewhere quite another” (Ford Madox Ford, “On Impressionism”). Join John’s conversation with Marina Van Zuylen of Bard College.
Van Zuylen, the author of The Plenitude of Distraction, makes the case that some aspects of distraction that are far more positive than they initially appear. Kierkegaard’s image of saving yourself from a boring philosophy lecture by watching sweat trickle down the speaker’s face is one highlight; her story about her real-life brain scan is another. Continue reading “8 Distraction, a Conversation (Marina Van Zuylen and John Plotz at Harvard’s Mahindra Center)”
On August 6, 2019, an article based on this podcast interview appeared in our partner publication, Public Books.
Fresh on the heels of our conversation with Madeline Miller, author of Circe, John Plotz has a talk with Samuel Delany, living legend of science fiction and fantasy. You probably know him best for breakthrough novels like Dhalgren and Trouble on Triton, which went beyond “New Wave” SF to introduce an intense and utterly idiosyncratic form of theory-rich and avant-garde stylistics to the genre. Reading him means leaving Earth, but also returning to the heady days when Greenwich Village was as caught up in the arrival of Levi-Strauss and Derrida to America as it was in a gender and sexuality revolution. Continue reading “7 In Focus: Samuel Delany in conversation with John Plotz (Nevèrÿon, Triton, Gertrude Stein and more….)”
From its origins in clay tablets to its future on digital tablets, Martin Puchner has thought about writing in all its forms. In this episode, John and Elizabeth talk to Martin, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard. They begin with a discussion of a very early writerly text–the epic of Gilgamesh, a version of which has been Englished by Elizabeth’s father. They discuss the different stages of world writing–from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing. Are we on the cusp of a new transformation in the way in which writing occurs in the world?
This transformation might have to do with coding, with the resurrection of the tablet and the scroll, or with the culture of curation that has arisen in a new era in which the ability. to write has been (significantly) democratized. Continue reading “6 Writing Then and Now: Martin Puchner (The Written World)”
Eagle-eyed fans of Recall This Book will have noticed an implicit pattern: episodes dropped each Wednesday (err, now Thursday), with upcoming episodes announced with the closing credits.
However, that is a pattern that will hold true only during the academic semester, when the whole team is around to get to work. This upcoming week, for example, Brandeis shares in the Boston February break week. So we will defer episode 6, with Martin Puchner, until our return. It will come out on Thursday February 28th. Continue reading “Upcoming Episodes…and More”
On this episode of Recall This Book, John talks to Stephen McCauley, a novelist and Professor of the Practice of English and Co-director of Creative Writing at Brandeis. Nobody knows more about the comic novel than Steve, and there is no comic novelist he loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties. Steve and John’s friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. Continue reading “5 The Comic Novel with Stephen McCauley”
On June 6, 2019, an article based on this podcast appeared in our partner publication, Public Books.
In this episode, John and Gina Turrigiano speak with Madeline Miller, author of the critically acclaimed bestseller Circe. They discuss Circe’s place in Greek mythology and in a retelling of the Odyssey “from below” or “from the side,” the concept of “mythological realism,” and the influence of The Once and Future King on Madeline’s writing. They touch too on the sweet family aspects that show up in Homer, and on Odysseus’s changing reputation throughout time. Then, in Recallable Books, Madeline recommends I, Tituba: Black Witch of Salem by Maryse Conde and The Two Noble Kinsmen by Shakespeare. Continue reading “4 In Focus: An Interview with Madeline Miller about Circe (JP, GT)”