On June 6, 2019, an article based on this podcast appeared in our partner publication, Public Books.
In this episode, John and Gina Turrigiano speak with Madeline Miller, author of the critically acclaimed bestseller Circe. They discuss Circe’s place in Greek mythology and in a retelling of the Odyssey “from below” or “from the side,” the concept of “mythological realism,” and the influence of The Once and Future King on Madeline’s writing. They touch too on the sweet family aspects that show up in Homer, and on Odysseus’s changing reputation throughout time. Then, in Recallable Books, Madeline recommends I, Tituba: Black Witch of Salem by Maryse Conde and The Two Noble Kinsmen by Shakespeare. Continue reading “Episode 4: An Interview with Madeline Miller about Circe”
In this episode, John and Elizabeth speak with Lisa Gitelman, a professor in the departments of English and Media, Culture and Communications at New York University. They discuss Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” (1935) and Rudyard Kipling’s “Wireless” (1902). Both works examine shifts in media technologies that people had only just gotten used to: what can Benjamin’s essay and Kipling’s uneasy story teach us about contemporary economic shifts to blockchain, or from artistic transmission to social media interactions? We investigate brain metaphors and their aesthetic implications, whether and how Benjamin is optimistic, (and another thing). Then in our segment Recallable Books, Lisa recommends “The Migration of the Aura, or How to Explore the Original Through its Facsimiles” by Bruno Latour and Adam Lowe, Elizabeth recommends “Mobile Phones and Mipoho’s Prophecy,” by Janet McIntosh and John thinks about recommending Henry James’s “In the Cage” but instead recommends “The Machine Stops” by E.M. Forster. Continue reading “Episode 3: Old and New Media with Lisa Gitelman”
In this episode, John and Elizabeth speak with Gina Turrigiano, a neuroscientist at Brandeis, about a number of different facets of addiction. What makes an addiction to a morning constitutional different from–or similar to–an addiction to Fentanyl? What are the biological and social factors to consider? Should the addict be thought of in binary terms, or addiction as a state that people move into and out of? They contemplate these questions through biological, anthropological, and literary lenses, drawing on Marc Lewis, Angela Garcia, and Thomas de Quincey. Late in the episode, there’s also a Sprockets joke. Then, in Recallable Books, Gina recommends David Linden’s The Compass of Pleasure, Elizabeth recommends When I Wear My Alligator Boots by Shaylih Muehlmann, and John recommends Sam Quinones’s Dreamland. Continue reading “Episode 2: Addiction with Gina Turrigiano”
In this episode, John and Elizabeth speak with Tory Fair, sculptor and professor in the Art Department at Brandeis about minimalism. They discuss the difference in involvement expected from the viewer of a minimalist work and other work, and compare modes of minimalism, from Donald Judd to Samuel Beckett to Marie Kondo. Their discussion of the correct amount of guidance to expect or to want from an artist also turns to a lively chat on the experience of going to the museum, and whether that is best approached as directed by the artist or curator, or as a search for an unexpected occurrence. Then in Recallable Art, Tory recommends the Daybook Installation at DIA by Anne Truitt, and John recommends Aesop’s fables. Continue reading “Episode 1: Minimalism with Tory Fair”