In this episode, John interviews the celebrated British writer Zadie Smith. Zadie’s horror at the idea of rereading her own novels opens the show; she can more easily imagine rewriting one (as John’s beloved Willa Cather once did) than having to go through them all again. From there the conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is. As Zadie puts it, “When you say my people, you can[‘t] know for certain who those people are by looking at them and by hearing what they have to say. I think what fiction as a kind of philosophy always assumed is that what people make manifest is not all that people are. There’s a great part of human selves which are hidden, unknown to the self, obscure, and that’s the part that fiction is interested in.”Continue reading “15: Zadie Smith (in conversation with John)”
In May, John and Pu interviewed SF superstar Cixin Liu (you will want to listen to that episode before this one). In August they entered the studio again to work on the final edits for that interview in both its Chinese and English versions. While they were there, they took some time to reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work.Continue reading “Episode 14x: Afterthoughts about the Cixin Liu interview (Pu Wang and John)”
In this episode, John and Brandeis professor Pu Wang talk with the bestselling science fiction author Cixin Liu.Continue reading “Episode 14 : Cixin Liu (with Pu Wang, in English)”
John and Elizabeth talk cultural renewal with Christina Thompson, author of Sea People: The Puzzle of Polynesia, a book that both tells a part of the history of Polynesia, and tells how histories of Polynesia are constructed.
The discussion also ranges to consider different moments of cultural contact between Polynesian and European thinkers and doers. Those range from the chart Tupaia drew for Captain Cook during the “first contact” era (above) to the Hokule’a‘s triumphant reconstuction of ancient Polynesian wayfinding, in which the work of David Lewis, Brian Finney and the Bishop Planetarium (below) served as invaluable background to the navigational achievements of Mau Pialug and Nainoa Thompson.
Elizabeth, Jared and John play snippets from a recent Electro-Library episode on the decidedly non-podcasty topic of photographs, and use it as a springboard to discuss the different aesthetic experiences of radio, television, film, reading, audiobooks, and podcasts. Which are the easiest and which the hardest artworks to get lost in? Would Frankenstein’s monster be more popular as a podcaster than as a YouTuber? (The answer to that one seems most likely to be yes). Continue reading “Episode 12: RTB Presents “The Electro–Library” (with Jared Green)”
What’s the relationship between immigration, globalization and demographics? What do a badly characterized, racist novel and an imaginatively metaphoric biology article from the 1970s have to do with that? And what is woke particularism? John and Elizabeth find out all of that and more in this discussion with Quinn Slobodian, professor of history at Wellesley College and author, most recently, of Globalists: The End of Empire and the Birth of Neoliberalism.
They first discuss Jean Raspail‘s racist 1973 novel The Camp of the Saints, a book whose popularity in certain quarters since its publication might explain how Europe has gone from Thatcher to Brexit, from Vaclav Havel to Viktor Orban. How is this xenophobic screed related to science fiction of the same period–and to John Locke? Pat Buchanan, American early adapter of Raspail’s hate-mongering, figures prominently. Continue reading “Episode 11: Xenophobia and Ethno-Nationalism, 1973 to today (Quinn Slobodian)”