We frequently worry that we live in a “distracted age.” But perhaps the human condition is always to live “almost always in one place with our minds somewhere quite another” (Ford Madox Ford, “On Impressionism”). Join John’s conversation with Marina Van Zuylen of Bard College.
Van Zuylen, the author of The Plenitude of Distraction, makes the case that some aspects of distraction that are far more positive than they initially appear. Kierkegaard’s image of saving yourself from a boring philosophy lecture by watching sweat trickle down the speaker’s face is one highlight; her story about her real-life brain scan is another. Continue reading “8 Distraction, a Conversation (Marina Van Zuylen and John Plotz at Harvard’s Mahindra Center)”
On August 6, 2019, an article based on this podcast interview appeared in our partner publication, Public Books.
Fresh on the heels of our conversation with Madeline Miller, author of Circe, John Plotz has a talk with Samuel Delany, living legend of science fiction and fantasy. You probably know him best for breakthrough novels like Dhalgren and Trouble on Triton, which went beyond “New Wave” SF to introduce an intense and utterly idiosyncratic form of theory-rich and avant-garde stylistics to the genre. Reading him means leaving Earth, but also returning to the heady days when Greenwich Village was as caught up in the arrival of Levi-Strauss and Derrida to America as it was in a gender and sexuality revolution. Continue reading “7 In Focus: Samuel Delany in conversation with John Plotz (Nevèrÿon, Triton, Gertrude Stein and more….)”
From its origins in clay tablets to its future on digital tablets, Martin Puchner has thought about writing in all its forms. In this episode, John and Elizabeth talk to Martin, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard. They begin with a discussion of a very early writerly text–the epic of Gilgamesh, a version of which has been Englished by Elizabeth’s father. They discuss the different stages of world writing–from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing. Are we on the cusp of a new transformation in the way in which writing occurs in the world?
This transformation might have to do with coding, with the resurrection of the tablet and the scroll, or with the culture of curation that has arisen in a new era in which the ability. to write has been (significantly) democratized. Continue reading “6 Writing Then and Now: Martin Puchner (The Written World)”
On this episode of Recall This Book, John talks to Stephen McCauley, a novelist and Professor of the Practice of English and Co-director of Creative Writing at Brandeis. Nobody knows more about the comic novel than Steve, and there is no comic novelist he loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties. Steve and John’s friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. Continue reading “5 The Comic Novel with Stephen McCauley”
On June 6, 2019, an article based on this podcast appeared in our partner publication, Public Books.
In this episode, John and Gina Turrigiano speak with Madeline Miller, author of the critically acclaimed bestseller Circe. They discuss Circe’s place in Greek mythology and in a retelling of the Odyssey “from below” or “from the side,” the concept of “mythological realism,” and the influence of The Once and Future King on Madeline’s writing. They touch too on the sweet family aspects that show up in Homer, and on Odysseus’s changing reputation throughout time. Then, in Recallable Books, Madeline recommends I, Tituba: Black Witch of Salem by Maryse Conde and The Two Noble Kinsmen by Shakespeare. Continue reading “4 In Focus: An Interview with Madeline Miller about Circe (JP, GT)”
In this episode, John and Elizabeth speak with Lisa Gitelman, a professor in the departments of English and Media, Culture and Communications at New York University. They discuss Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” (1935) and Rudyard Kipling’s “Wireless” (1902). Both works examine shifts in media technologies that people had only just gotten used to: what can Benjamin’s essay and Kipling’s uneasy story teach us about contemporary economic shifts to blockchain, or from artistic transmission to social media interactions? We investigate brain metaphors and their aesthetic implications, whether and how Benjamin is optimistic, (and another thing). Then in our segment Recallable Books, Lisa recommends “The Migration of the Aura, or How to Explore the Original Through its Facsimiles” by Bruno Latour and Adam Lowe, Elizabeth recommends “Mobile Phones and Mipoho’s Prophecy,” by Janet McIntosh and John thinks about recommending Henry James’s “In the Cage” but instead recommends “The Machine Stops” by E.M. Forster. Continue reading “3 Old and New Media with Lisa Gitelman”
In this episode, John and Elizabeth speak with Gina Turrigiano, a neuroscientist at Brandeis, about a number of different facets of addiction. What makes an addiction to a morning constitutional different from–or similar to–an addiction to Fentanyl? What are the biological and social factors to consider? Should the addict be thought of in binary terms, or addiction as a state that people move into and out of? They contemplate these questions through biological, anthropological, and literary lenses, drawing on Marc Lewis, Angela Garcia, and Thomas de Quincey. Late in the episode, there’s also a Sprockets joke. Then, in Recallable Books, Gina recommends David Linden’s The Compass of Pleasure, Elizabeth recommends When I Wear My Alligator Boots by Shaylih Muehlmann, and John recommends Sam Quinones’s Dreamland. Continue reading “2 Addiction with Gina Turrigiano”
In this episode, John and Elizabeth speak with Tory Fair, sculptor and professor in the Art Department at Brandeis about minimalism. They discuss the difference in involvement expected from the viewer of a minimalist work and other work, and compare modes of minimalism, from Donald Judd to Samuel Beckett to Marie Kondo. Their discussion of the correct amount of guidance to expect or to want from an artist also turns to a lively chat on the experience of going to the museum, and whether that is best approached as directed by the artist or curator, or as a search for an unexpected occurrence. Then in Recallable Art, Tory recommends the Daybook Installation at DIA by Anne Truitt, and John recommends Aesop’s fables. Continue reading “1 Minimalism with Tory Fair”