Bonus! Available only on our website, Episode 10X includes a brief RTB discussion about Exit Zero, a stunning “auto-ethnography” that raises fascinating questions about what it means when people retell stories or anecdotes about their own lives as a form of evidence that helps explain their overall worldview.
How does the past live on within our experience of the present? And how does our decision to speak about or write down our recollections of how things were change our understanding of those memories–how does it change us in the present? Asking those questions brings RTB into the company of memory-obsessed writers like Virginia Woolf and Marcel Proust. But it also takes up into the modern phenomenon of “autofiction,” a term which, if you’ve never heard of before today, you’re in good company! But by discussing autofiction writers like Rachel Cusk, Sheila Heti and Karl Ove Knausgaard, we begin to understand that the line between real-life fact, memory, and fiction is not quite as sharp as we had thought. Continue reading “Episode 10: Life, Writing, and Life Writing with Helena DeBres”
Helena DeBres had so many brilliant insights about the ethics and the future of life writing that the final third of our discussion overflowed the bounds of our ordinary format. So we present that final conversation to you here as a bonus episode–well, episodelette.
Elizabeth, John and Helena here discuss Christine J. Walley’s “autoethnography” Exit Zero: Family and Class in Postindustrial Chicago. They talk about the relation of an autoethnography to life writing a la Woolf or Cusk, the capacity of stories to both empower and to constrain, the semiological differences between Marxist philosophers and ministers, and when and how to use scare quotes. Continue reading “Episode 10x: Bonus! “Exit Zero” and Life Writing”
Evita, Thatcher and HRC walk into a glass ceiling…In this episode, John and Elizabeth are joined by MIT anthropologist Manduhai Buyandelger to discuss women in political power in Argentina, Mongolia, the UK, the United States and beyond. At the conversation’s heart: Manduhai analyzes the legacy of “female quotas” in Soviet-era politics, as well as the narrow “lanes” that women politicians are sorted into.
For starters, Elizabeth discusses Santa Evita, Tomás Eloy Martínez’s riff on what happened to Evita Perón’s body before and after her death, and how much she looked, eventually, like Grace Kelly. Continue reading “Episode 9: Women in Political Power; with Manduhai Buyandelger”
When Recall This Book started back in January, we modestly thought we might manage one episode per month.Instead, we bolted from the gate fast: eight episodes in our first two-and-a-half months.
That is a sprinter’s pace, when what we have in mind is a marathon. So: a slowdown of sorts…but with the prospect of some great upcoming items. Continue reading “Spring Schedule and our new partnership with Literature Lab”
We frequently worry that we live in a “distracted age.” But perhaps the human condition is always to live “almost always in one place with our minds somewhere quite another” (Ford Madox Ford, “On Impressionism”). Join John’s conversation with Marina Van Zuylen of Bard College.
Van Zuylen, the author of The Plenitude of Distraction, makes the case that some aspects of distraction that are far more positive than they initially appear. Kierkegaard’s image of saving yourself from a boring philosophy lecture by watching sweat trickle down the speaker’s face is one highlight; her story about her real-life brain scan is another. Continue reading “Episode 8: Distraction, a Conversation (Marina Van Zuylen and John Plotz at Harvard’s Mahindra Center)”
On August 6, 2019, an article based on this podcast interview appeared in our partner publication, Public Books.
Fresh on the heels of our conversation with Madeline Miller, author of Circe, John Plotz has a talk with Samuel Delany, living legend of science fiction and fantasy. You probably know him best for breakthrough novels like Dhalgren and Trouble on Triton, which went beyond “New Wave” SF to introduce an intense and utterly idiosyncratic form of theory-rich and avant-garde stylistics to the genre. Reading him means leaving Earth, but also returning to the heady days when Greenwich Village was as caught up in the arrival of Levi-Strauss and Derrida to America as it was in a gender and sexuality revolution. Continue reading “Episode 7: Samuel Delany in conversation with John Plotz (Nevèrÿon, Triton, Gertrude Stein and more….)”
In Episode 1 of Recall this Book, sculptor and Brandeis professor Tory Fair, John and I discussed minimalism. We were just starting out, and I felt a little out of my depth, not only with podcasting but also with the topic. Both Tory and John know a lot about work in their fields that describes itself as (or more often, is described as) minimalist, and they work in fields where the idea of minimalism has a clear definable life, even if artists, critics and others can’t necessarily easily define what it actually is.
I broke ranks and kind of broke the rules by describing the migration of the term minimalism into the realm of “lifestyle.” Broke the rules, I mean, because at first glance it seems that Donald Judd and Samuel Beckett have little more than a name in common with Real Simple or Simplify magazine or the blog Minimalist Baker. It feels a bit like comparing the discipline of anthropology and that store with the clothes made from cool fabrics that don’t seem to fit anyone quite right. I could feel John’s non-nominalist hackles (and mine too, if I’m being honest) ready to rise. Continue reading “Minimalism’s Untidy Travels”